This volume brings together two unabridged novels that display Frances Hodgson Burnett's command of romance, social observation, and moral transformation. In *The Making of a Marchioness*, Emily
This volume brings together two unabridged novels that display Frances Hodgson Burnett's command of romance, social observation, and moral transformation. In *The Making of a Marchioness*, Emily Fox-Seton's rise from modest circumstances into aristocratic marriage becomes a study of class, vulnerability, and the hard-won recovery of agency; its fairy-tale surface gradually darkens into psychological suspense before resolving through resilience and justice. *The Shuttle* expands the domestic romance into an Anglo-American saga, contrasting the vitality of the United States with the exhausted hierarchies of Edwardian England as marriage, inheritance, and national character become instruments of power. Together, the books occupy the late-Victorian and Edwardian tradition of the "woman's novel," combining melodramatic plotting with sharp commentary on gender and privilege. Burnett (1849–1924), born in Manchester and raised partly in Tennessee after her father's death, transformed personal hardship, transatlantic experience, and an acute awareness of social mobility into fiction of unusual emotional accessibility. Celebrated for children's classics such as *The Secret Garden* and *A Little Princess*, she also wrote extensively for adults, where her interest in hidden suffering, social performance, and ethical renewal assumes a more mature and sometimes darker form. These romances reflect her fascination with the possibilities—and dangers—of reinvention. Readers interested in historical romance, women's writing, and the social imagination of the period will find this pairing especially rewarding. The unabridged texts preserve Burnett's pacing, descriptive texture, and nuanced contrasts between privilege and precarity, making the volume suitable both for pleasurable reading and for study of class, gender, empire, and transatlantic literary culture.