'We could stop here. We could stay here. It's not so bad, is it?'Kim is having one of those days. A terrible, very bad, no-good kind of day, and the worst part is… it all feels so f
'We could stop here. We could stay here. It's not so bad, is it?'Kim is having one of those days. A terrible, very bad, no-good kind of day, and the worst part is… it all feels so familiar. Caught up in a never-ending cycle of events, she looks for the exit but the harder she tries, the worse it gets and she begins to wonder: who's writing this story?She makes a break for it, smashing through a hundred years of bloody narratives that all end the same way. Can she find a way out before it's too late?With breathless hilarity, Kimber Lee's untitled f*ck m*ss s**gon play jumps through time, wriggling inside of and then exploding lifetimes of repeating Asian stereotypes, wrestling with history for the right to control your own narrative in a world that thinks it can tell you who you are.Winner of the International Award for the Bruntwood Prize for Playwriting in 2019, the play was co-produced in 2023 by the Royal Exchange, Factory International for Manchester International Festival, the Young Vic Theatre and Headlong, and directed by Roy Alexander Weise. It was first performed at the Royal Exchange Theatre, Manchester, as part of Manchester International Festival, before transferring to the Young Vic Theatre, London.
